No charge Split Britches

Split Britches
By:Sue-Ellen Case
Published on 2013-11-05 by Routledge

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The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe. This unique anthology comes complete with: * seven of Split Britches' best loved performance texts * a critical, historical introduction by Sue-Ellen Case * programme notes to accompany each of the plays * a range of stunning photographic illustrations The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.

This Book was ranked at 27 by Google Books for keyword Lesbian.

Book ID of Split Britches's Books is -e79AQAAQBAJ, Book which was written bySue-Ellen Casehave ETAG "vuWzPL/GcUM"

Book which was published by Routledge since 2013-11-05 have ISBNs, ISBN 13 Code is 9781136165665 and ISBN 10 Code is 1136165665

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Book which have "288 Pages" is Printed at BOOK under CategoryPerforming Arts

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Colm Tóibín, typically the award-winning contributor of The actual Leaderand Brooklyn, transforms an individual's treatment to your confusing human relationships involving daddies as well as sons—specifically all the stresses between your literary leaders Oscar Wilde, John Joyce, W.B. Yeats, as well as his or her fathers. Wilde loathed his or her my father, even if accepted that they were completely alike. Joyce's gregarious dad went the fuesen via Eire due to an individual's volatile outburst along with drinking. Even while Yeats's mother, a fabulous artist, had been obviously a marvelous conversationalist who is chattering has been significantly more slick in comparison to the works of art he / she produced. These kind of prominent men and also daddies that made it simpler for contour them all take place well through Tóibín's retelling, same as Dublin's colored inhabitants.

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