Become Looking Like What You Are

Looking Like What You Are
By:Lisa Walker
Published on 2001-04-01 by NYU Press

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Looks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or deny physical difference. In particular, she explores the implications of a predominantly visible model of sexual identity for the feminine lesbian, who is both marked and unmarked, desired and disavowed. Walker's textual analysis cuts across a variety of genres, including modernist fiction such as The Well of Loneliness and Wide Sargasso Sea, pulp fiction of the Harlem Renaissance, the 1950s and the 1960s, post-modern literature as Michelle Cliff's Abeng, and queer theory. In the book's final chapter, |How to Recognize a Lesbian,| Walker argues that strategies of visibility are at times deconstructed, at times reinscribed within contemporary lesbian-feminist theory.

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Book which was published by NYU Press since 2001-04-01 have ISBNs, ISBN 13 Code is 9780814784747 and ISBN 10 Code is 0814784747

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Colm Tóibíand, the actual award-winning publisher of The Professionaland Brooklyn, gets this notice at the elaborate connections between daddies and sons—mainly a tensions from the fictional giants Oscar Wilde, James Joyce, W.B. Yeats, as well as their own fathers. Wilde loathed his pops, while recognized that they were greatly alike. Joyce's gregarious father driven his particular son and daughter from Eire on account of his or her volatile calm and also drinking. Whereas Yeats's daddy, the electrician, has been plainly a marvelous conversationalist who is click seemed to be alot more lustrous than the pictures the guy produced. All of these prominent blokes together with the fathers whom helped figure these people are provided in existence around Tóibín's retelling, as do Dublin's splendid inhabitants.

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